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Navy sailors handle ordnance on the flight deck of the USS Abraham Lincoln during Operation Epic Fury on February 28, 2026.

The Cynical Coverage of the USS Lincoln

In this essay for The Free Press, Elliot Ackerman examines coverage of conditions aboard the USS Abraham Lincoln during the Iran war and argues that military suicide and the strain...

Federal security officers with rifles secure the White House Correspondents' Dinner ballroom at the Washington Hilton in Washington, DC, following a shooting incident near the event attended by journalists, government officials, and members of the media.

Inside the White House Correspondents’ Dinner

When gunshots rang out near the White House Correspondents’ Dinner, Elliot Ackerman and his wife took cover beneath their table. What followed revealed just how exposed thousands of attendees had...

U.S. military service members seated in uniform during a public event, illustrating themes of military ethics, lawful orders, international law, and the responsibilities of troops during armed conflict.

Is Trump Asking Troops to Commit War Crimes?

Drawing on his experience as a Marine officer in Iraq, Elliot Ackerman explores whether threats to target civilian infrastructure in Iran could force service members to confront difficult legal and...

Crowds gather amid smoke and Iranian flags during a nighttime protest in Iran, illustrating themes of regime change, political unrest, and instability discussed in Elliot Ackerman's essay The Case Against the War.

The Case Against the War

Drawing on his experience as a Marine officer in Iraq, Elliot Ackerman examines the risks of regime change in Iran, the limits of military power, and the political consequences that...

Iranian naval forces conducting military exercises near the Strait of Hormuz amid rising regional tensions

Watching Future War Unfold

Elliot Ackerman examines Iran, future conflict, authoritarian alliances, and the geopolitical realities explored in 2034.

The ICE Shooter's Trauma Is No Defense

The ICE Shooter's Trauma Is No Defense

Following the fatal shooting of Renee Good, Elliot Ackerman examines the legal standard of objective reasonableness and argues that an officer's past trauma cannot redefine the rules governing the use...

A speaker addresses a seated audience during a discussion, illustrating themes of public speaking, storytelling, communication, and audience engagement explored in Elliot Ackerman's essay A Man Should Know: How to Speak from the Heart.

A Man Should Know: How to Speak from the Heart

In the final installment of A Man Should Know, Elliot Ackerman shares lessons on public speaking, storytelling, rehearsal, and why the most memorable remarks come from speaking honestly and from...

Venezuelan civilians gather near security forces during a public demonstration, with national flags visible as armored officers stand among a crowd in Caracas following political unrest and government tensions.

Trump Is Risking Another Forever War

In this Free Press essay, Elliot Ackerman reflects on the U.S. operation against Nicolás Maduro and warns that military success is often the easy part. Drawing on his experiences in...

Elliot Ackerman reads from an open book in a study, illustrating themes of reading, literature, lifelong learning, and the transformative power of books explored in A Man Should Know: How to Read.

A Man Should Know: How to Read

In this installment of A Man Should Know, Elliot Ackerman reflects on his journey as a reader, the value of classic books, and why the most meaningful reading experiences often...

A tailor measures and fits a young boy for a formal jacket, illustrating themes of menswear, tailoring, formal dress, and learning the traditions of dressing well discussed in Elliot Ackerman's essay A Man Should Know: How to Wear a Tuxedo.

A Man Should Know: How to Wear a Tuxedo

In this installment of A Man Should Know, Elliot Ackerman shares the lessons he learned about wearing a tuxedo, from bow ties and cuff links to the importance of dressing...

Guests gather around a candlelit dinner table during an elegant evening gathering, illustrating themes of hospitality, friendship, hosting, and creating meaningful experiences explored in Elliot Ackerman's essay A Man Should Know: How to Host.

A Man Should Know: How to Host

In this installment of A Man Should Know, Elliot Ackerman explores the art of hospitality, from hosting dinners and choosing venues to creating meaningful experiences that make guests feel welcome.

A person places an engagement ring on their partner's finger, illustrating themes of marriage, commitment, love, and the proposal process discussed in Elliot Ackerman's essay A Man Should Know: How to Propose.

A Man Should Know: How to Propose

In this installment of A Man Should Know, Elliot Ackerman explores the art of proposing, arguing that the most important part of a marriage proposal is not the spectacle but...

Passengers rest aboard a long-distance aircraft while a flight attendant assists travelers during an overnight journey, illustrating themes of air travel, comfort, and travel etiquette explored in Elliot Ackerman's essay A Man Should Know: How to Travel.

A Man Should Know: How to Travel

In this installment of A Man Should Know, Elliot Ackerman offers practical travel advice, from packing and airport etiquette to the more important question of when it is better to...

Pete Hegseth, U.S. Secretary of Defense, sits at a conference table in a dark suit and red checkered tie during an official government meeting, with military and departmental flags visible in the background.

Hegseth, the Law of War, and Fallujah

Drawing on his experience during the Second Battle of Fallujah, Elliot Ackerman explores the critical distinction between rules of engagement and the law of war. In this Free Press essay,...

U.S. military personnel stand near a crowd of Afghan civilians behind concertina wire during the evacuation at Kabul airport following the fall of Afghanistan in 2021.

I Served in the CIA’s Zero Units

Elliot Ackerman draws on his experience as a Marine and CIA paramilitary officer to explain the history of Afghanistan’s CIA-sponsored Zero Units and why the actions of one former member...

A handwritten thank-you note rests beside an addressed envelope, illustrating themes of gratitude, personal correspondence, and thoughtful communication explored in Elliot Ackerman's essay A Man Should Know: How to Say Thank You.

A Man Should Know: How to Say Thank You

In this installment of A Man Should Know, Elliot Ackerman explores the art of expressing gratitude, arguing that a thoughtful thank-you note can deepen relationships and become a lasting reminder...

Students participate in a group discussion and debate in a school library, illustrating themes of critical thinking, civil discourse, and understanding different perspectives explored in Elliot Ackerman's essay A Man Should Know: How to Form an Opinion.

A Man Should Know: How to Form an Opinion

In this installment of A Man Should Know, Elliot Ackerman reflects on the importance of intellectual curiosity, arguing that the best opinions are formed by understanding multiple perspectives and asking...

A wristwatch peeks out from beneath the cuff of a denim jacket, illustrating themes of craftsmanship, personal history, and meaningful possessions explored in Elliot Ackerman's essay A Man Should Know: How to Own a Watch.

A Man Should Know: How to Own a Watch

In this installment of A Man Should Know, Elliot Ackerman explores the value of owning a watch, arguing that meaningful possessions are shaped not by their price but by the...

Two friends rest side by side on surfboards in calm water, illustrating themes of friendship, shared experiences, and the side-by-side connection explored in Elliot Ackerman's essay A Man Should Know: How to Be a Friend.

A Man Should Know: How to Be a Friend

In this installment of A Man Should Know, Elliot Ackerman explores the nature of male friendship, arguing that strong bonds are built through shared experiences, consistency, and showing up for...

Elliot Ackerman stands confidently in a room beside a historic tapestry, illustrating themes of personal presence, confidence, communication, and self-presentation explored in A Man Should Know: How to Introduce Himself.

A Man Should Know: How to Introduce Himself

In the first installment of A Man Should Know, Elliot Ackerman explores the overlooked skill of introducing yourself, arguing that meaningful relationships, opportunities, and understanding often begin with a handshake...

U.S. Navy Sailors participate in a cold-water endurance training exercise, linked arm-in-arm in the surf while enduring physical and mental stress during a warrior training event.

Pete Hegseth and Warrior Culture

Drawing on his experience as a Marine infantry officer in Iraq, Elliot Ackerman critiques Defense Secretary Pete Hegseth’s focus on military culture, arguing that successful leadership depends on competence, humility,...

Historic Civil War soldiers gather in a field encampment, resting and preparing near defensive earthworks, in a black-and-white photograph associated with Memorial Day remembrance and military sacrifice.

Do Not Mourn Me Dead

In this Memorial Day reflection, Elliot Ackerman revisits the moving final letter of Union officer Sullivan Ballou, drawing connections between America’s past wars and his own experiences in Iraq and...

Zendaya attends the 2025 Met Gala wearing a tailored white three-piece Louis Vuitton pantsuit and oversized wide-brimmed white hat, interpreting the "Superfine: Tailoring Black Style" theme with a minimalist menswear-inspired look.

Met Gala Fashion Police: Who's the Dandiest?

In this culture piece for The Free Press, Suzy Weiss and Elliot Ackerman review the 2025 Met Gala and its theme, “Superfine: Tailoring Black Style.” The essay examines celebrity fashion,...

Portrait of Elliot Ackerman seated in a dark, wood-paneled room

How to Dress Like a Gentleman—and Why

Drawing on lessons from the Marines, the CIA, and family mentors, Elliot Ackerman explores why style matters, the difference between fashion and craftsmanship, and how dressing with intention reflects confidence,...

Illustration of a soldier in camouflage seen from behind, arms wreathed in flame, standing in a grayscale city street facing an American flag.

The Danger Posed by Today's Angry Vets

In this essay for The Wall Street Journal, Elliot Ackerman examines how disillusioned veterans are reshaping American foreign policy around loyalty rather than ideals.

Composite illustration accompanying Elliot Ackerman’s essay Bring Back the War Department

Bring Back the War Department

In this essay for The Atlantic, Elliot Ackerman argues that renaming the Department of Defense as the Department of War would do more than revive an old title. It would...

F-35 Lightning II stealth fighter jet flying at high speed, creating a visible vapor cone as it approaches transonic flight during an aerial demonstration.

The U.S. Isn’t Ready for a Modern War

Drawing on lessons from World War II and observations from Ukraine, Elliot Ackerman argues that modern warfare rewards scalable production and rapid innovation as much as advanced technology. As low-cost...

Civilian in a red coat stands before a damaged apartment building in Ukraine as thick black smoke rises from fires caused by a Russian missile strike, illustrating the destruction of urban areas during the ongoing war.

The Abandonment of Ukraine

Following a visit to Ukraine alongside bipartisan members of Congress, Elliot Ackerman and Karl Marlantes examine the realities of the battlefield, the rapid pace of military innovation, and the consequences...

Marine sitting beneath a palm tree in Beirut, Lebanon

Hezbollah's Long War Is With America Too

Drawing on his experience as a Marine Corps officer during the 2006 evacuation of Lebanon, Elliot Ackerman reflects on Hezbollah, Iran, and the broader network of authoritarian powers challenging the...

President Donald Trump looks toward a Medal of Honor recipient during a White House ceremony.

Trump's Medal of Dishonor

In this essay for The Atlantic, Elliot Ackerman reflects on Donald Trump's comments comparing the Presidential Medal of Freedom to the Medal of Honor. Drawing on his experience as a...

Black-and-white photograph of Donald Trump raising his fist while standing onstage at the 2024 Republican National Convention in Milwaukee.

The Trump Campaign Has Peaked Too Soon

In this Atlantic essay, Elliot Ackerman uses military theory to analyze the 2024 presidential campaign. Drawing on the concept of the "culminating point" from Carl von Clausewitz, he argues that...

Donald Trump raises his fist and speaks to supporters as U.S. Secret Service agents surround and protect him on stage, with an American flag visible in the background following an assassination attempt at a campaign rally.

In Trump, I See a Combat Leader

Following the assassination attempt on Donald Trump, Elliot Ackerman analyzes the former president’s reaction through the perspective of a Marine combat leader. Drawing on his experiences in Iraq and Afghanistan,...

Former President Donald Trump, blood visible on his face after the attempted assassination at a campaign rally in Butler, Pennsylvania, is surrounded by U.S. Secret Service agents as he is escorted from the stage.

Lower the Volume

In this essay for The Atlantic, Elliot Ackerman draws on his experiences as a Marine officer in Iraq to examine political violence, democratic responsibility, and the dangers of allowing politics...

Composite illustration featuring portraits of Mary Queen of Scots and Marie Antoinette, symbolizing political legitimacy, monarchy, and historical rivalry in European history

The Two Marys

Elliot Ackerman reflects on political legitimacy, passion, and instability through the intertwined stories of Marie Antoinette and Mary Queen of Scots.

Cinderella Castle at Walt Disney World's Magic Kingdom, seen from a crowded Main Street U.S.A. beneath a partly cloudy sky.

Happily Paying a Mouse's Ransom

In this essay for The Wall Street Journal's "About Face" column, Elliot Ackerman describes how a family trip to Walt Disney World changed his mind.

Two stylized eagle statues, one red and one blue, stand facing opposite directions against a neutral background.

War-Gaming for Democracy

In this essay for The Atlantic, Elliot Ackerman attends a political war game designed to simulate the first days of a second Trump administration. As participants explore scenarios involving militias,...

Ukrainian soldiers shelter in a frontline trench during the Russia-Ukraine war, pausing amid combat operations in eastern Ukraine.

The One Element Keeping Ukraine From Total Defeat

In this essay for The Atlantic, Elliot Ackerman reviews Yaroslav Trofimov’s book Our Enemies Will Vanish, an account of Ukraine’s first year resisting Russia’s invasion. Ackerman examines the role of...

U.S. President Joe Biden shakes hands with Ukrainian President Volodymyr Zelensky during a bilateral meeting, with U.S. and Ukrainian officials seated at a conference table beneath the American and Ukrainian flags.

The Biden Administration's Slow Yes

In this TIME essay, Elliot Ackerman examines the strategic consequences of the Biden administration's gradual military support for Ukraine. He argues that delays in providing advanced weapons allowed Russia to...

Attendees move through a No Labels political event as American flags flank large No Labels signs in the background.

Meet the Super SPAC

In this essay for The Atlantic, Elliot Ackerman explores how the political organization No Labels has built a nationwide ballot-access infrastructure that could transform presidential elections. Drawing parallels to financial...

U.S. Marines move through the streets of Fallujah during intense urban combat as flames and black smoke rise from damaged buildings in the background.

A Knife Fight in a Phone Booth

In this essay for The Atlantic, Elliot Ackerman draws on his experience leading Marines during the Second Battle of Fallujah to explain the brutal realities of urban warfare. Comparing the...

Promotional image for Christopher Nolan’s Oppenheimer, featuring the silhouette of J. Robert Oppenheimer against fiery clouds and smoke, with the film title displayed prominently across the center.

Christopher Nolan’s Big Bang

In this review of Christopher Nolan’s Oppenheimer, Elliot Ackerman examines the film’s portrayal of J. Robert Oppenheimer and the invention of the atomic bomb. Moving beyond cinema, Ackerman reflects on...

Wagner Group fighters ride atop a military vehicle in Rostov-on-Don during Yevgeny Prigozhin’s short-lived rebellion against the Russian government.

Prigozhin’s Loss Is Ukraine’s Gain

In this essay for The Atlantic, Elliot Ackerman examines the fallout from Yevgeny Prigozhin’s failed rebellion and what the likely weakening of the Wagner Group means for Russia’s war in...

A white marble military headstone stands in a quiet cemetery, with rows of graves blurred in the background.

Notes From a Cemetery

In this essay for The Atlantic, Elliot Ackerman shares an excerpt from Halcyon, exploring the relationship between personal memory, national remembrance, and the way societies honor their dead. Through a...

Military personnel load palletized military aid onto a cargo aircraft, illustrating the large-scale logistics and international effort required to transport weapons, ammunition, and supplies to Ukraine during the ongoing war with Russia.

More Weapons, Faster for Ukraine

In this TIME essay, Elliot Ackerman examines how battlefield initiative depends on timing as much as firepower. Drawing on military strategy and the evolving war in Ukraine, he argues that...

Black-and-white photograph of the Motherland Calls statue in Volgograd, Russia, raising a sword toward the sky, symbolizing the Battle of Stalingrad

The Two Stalingrads

Elliot Ackerman explores how the legacy of Stalingrad belongs to both Russia and Ukraine, drawing on the work of Soviet war correspondent Vasily Grossman to examine history, identity, and the...

Ukrainian soldiers move through a snow-covered forest during winter training or military operations, illustrating the harsh conditions of cold-weather warfare.

Ukraine's Winter Offensive Could Decide the War

In this TIME essay, Elliot Ackerman argues that time is a decisive battlefield dimension in Ukraine's war against Russia. Drawing on military experience and historical parallels, he explains why sustained...

Historic black-and-white photograph of a massive nuclear mushroom cloud rising above the Pacific Ocean

World War III?

In this thought-provoking analysis, Elliot Ackerman and Admiral James Stavridis explore four plausible scenarios that could lead to a third world war. From Russia and China to Iran, North Korea,...

Ukrainian national flag flying above a town damaged by war, viewed through the dark silhouette of a ruined building, symbolizing Ukraine’s resilience and determination amid the ongoing conflict with Russia.

Victory Brings Its Own Dangers

As Ukrainian forces reclaim territory from Russia, optimism grows about the war’s outcome. In this Atlantic essay, Elliot Ackerman explores a less discussed reality: victory can be as dangerous as...

Illustration depicting two figures pulling opposing red lines, symbolizing geopolitical rivalry, strategic competition, and conflict between global powers

The Rivalry That Defines America

Elliot Ackerman examines how lessons from Afghanistan continue to shape the geopolitical rivalry between the United States and Russia in Ukraine.

Stacks of color-coded shipping and storage boxes arranged on wooden pallets, illustrating global supply chains, manufacturing logistics, international trade, and the economic infrastructure underpinning modern industrial production.

The Arsenal of Democracy Reopens

In this Atlantic essay, Elliot Ackerman explores how Russia’s invasion of Ukraine revealed a critical weakness in America’s national defense: its fragile supply chains. From semiconductor production and advanced manufacturing...

Stylized illustration of an AR-15-style rifle on a gray background, overlaid with a blue infinity symbol that loops around both ends of the firearm, symbolizing the recurring cycle of mass shootings, media attention, and gun violence in America.

Our Narrative of Mass Shootings Is Killing Us

In the aftermath of Uvalde, Elliot Ackerman explores the role of storytelling, media coverage, and cultural narratives in shaping the phenomenon of mass shootings. Drawing on history, psychology, and lessons...

The Russian Black Sea Fleet cruiser Moskva heavily damaged and listing at sea, with thick black smoke billowing from the vessel after a missile strike during the Russia-Ukraine war, highlighting a pivotal moment in modern naval warfare.

A Whole Age of Warfare Sank With the Moskva

After Ukraine sank Russia’s flagship Moskva with anti-ship missiles, Elliot Ackerman examines whether modern warfare has entered a new age. Through the lens of Marine Corps Force Design 2030, he...

Palletized military cargo secured with netting is transported across an airport tarmac at night, illuminated by floodlights as aircraft and logistics operations continue in the background.

Ukraine’s Lifeline

In this essay for The Atlantic, Elliot Ackerman argues that Ukraine’s survival depends not only on weapons but on the logistics required to keep soldiers supplied and combat power sustained....

Ukrainian filmmaker and former political prisoner Oleh Sentsov, dressed in military clothing, sits indoors during an interview while serving in Ukraine’s territorial-defense forces amid Russia’s invasion.

The Rhino of Kyiv

In this essay for The Atlantic, Elliot Ackerman meets acclaimed Ukrainian filmmaker Oleh Sentsov, whose film Rhino is touring international festivals while he serves in Ukraine’s territorial-defense forces. Through conversations...

People walk through the devastated aftermath of a missile strike in a Ukrainian city, surveying smoking rubble and destroyed buildings.

Ukrainians Don't Blame Just Putin

Reporting from Lviv during Russia's invasion of Ukraine, Elliot Ackerman examines how Ukrainian civilians, historians, entrepreneurs, and activists view Russian responsibility for the war. Through firsthand conversations, the essay explores...

Ukrainian soldiers in full combat gear move tactically through a damaged urban street during active operations.

Ukraine’s Three-to-One Advantage

Reporting from Ukraine, Elliot Ackerman explores the battlefield realities behind Ukraine’s early successes against Russia. Through conversations with a former U.S. Marine volunteer and Ukrainian defense leaders, he examines anti-armor...

A French Air and Space Force Dassault Rafale multirole fighter jet flies in clear skies carrying external fuel tanks and air-to-air missiles, illustrating modern NATO air power and advanced Western combat aviation.

NATO Pilots for Ukraine?

Drawing on military history, Elliot Ackerman examines how volunteer NATO pilots could reinforce Ukraine's air force, comparing the proposal to the Flying Tigers and Eagle Squadrons while exploring alternatives to...

Afghan civilians carrying luggage and personal belongings line up on the tarmac to board a U.S. Air Force C-17 Globemaster III transport aircraft during the evacuation from Kabul, Afghanistan, in August 2021.

The Last Person Who Believes in Intervention

In this essay for TIME, Elliot Ackerman examines Bernard-Henri Lévy's documentary The Will to See and explores the tension between internationalism and isolationism. Against the backdrop of Ukraine, Afghanistan, China,...

Police in riot gear clash with demonstrators outside the U.S. Capitol during the January 6, 2021 attack, as an American flag waves above the crowd amid shields, helmets, and pushing between law enforcement and protesters.

More January 6ths Are Inevitable

Writing for TIME, Elliot Ackerman explores the historical parallels between the Reichstag fire and the January 6 attack on the U.S. Capitol, arguing that future episodes of political violence are...

Diptych of American service members photographed in Afghanistan by Adam Ferguson.

Ask Us What We’ve Seen

In this Atlantic photo essay, Elliot Ackerman examines Adam Ferguson’s striking portraits of American service members in Afghanistan. Through conversations with veterans and reflections on his own military experience, Ackerman...

President Donald Trump walks with senior administration officials, military personnel, and Secret Service agents outside the White House following unrest in Washington, D.C., with the White House prominently visible in the background.

The Botched Afghanistan Withdrawal

Writing for TIME, Elliot Ackerman examines the aftermath of the U.S. withdrawal from Afghanistan, using Lt. Col. Stuart Scheller's viral video to explore military accountability, civil-military relations, and the growing...

Wooden silhouette of a soldier holding a rifle, standing alone against a plain background.

The Plywood Army

In this Atlantic essay, Elliot Ackerman reflects on the rapid collapse of Afghanistan’s military after the U.S. withdrawal. Drawing on his experience as a Marine officer and adviser to Afghan...

Crowd of protesters gathered outside a large government building doorway during the January 6, 2021 attack on the U.S. Capitol.

When the Military Doubts Our Elections

In this New York Times opinion essay, Elliot Ackerman explores the relationship between election legitimacy, political polarization, and the military's long tradition of remaining apolitical. Drawing on his experience as...

Stylized editorial graphic showing rows of uniformed U.S. military personnel on the left, a military service ribbon in the center, and a crowd gathered at the U.S. Capitol during the January 6 attack on the right.

Yes, They Defended the Capitol

In this New York Times opinion essay, Elliot Ackerman reflects on military decorations, his experiences during Hurricane Katrina, and the deployment of National Guard troops following January 6. He argues...

Broken window with shattered glass overlooking a street in Afghanistan.

America and Afghanistan’s Cynicism

In this Atlantic essay, Elliot Ackerman examines the role cynicism played in America’s relationship with Afghanistan. Drawing on his experiences as a Marine officer and father, he reflects on war,...

Armed Taliban fighters wearing desert camouflage uniforms and face coverings stand in a rural Afghan landscape with mountains in the background.

Afghanistan War Ends as It Began

In this New York Times opinion essay, Elliot Ackerman examines America’s withdrawal from Afghanistan through the lens of military history, personal experience, and conversations with Afghan leaders. Drawing parallels to...

Three U.S. Navy warships, including two aircraft carriers and an escort vessel, sail in formation across the open Pacific Ocean during a naval deployment, illustrating American maritime power and strategic operations in the Indo-Pacific region.

How the U.S. Could Sleepwalk into War

Writing for TIME, Elliot Ackerman and Admiral James Stavridis explore the growing strategic rivalry between the United States and China, warning that miscalculation in the South China Sea or Taiwan...

Scene from the film Cherry showing a young military veteran portrayed by Tom Holland

My Veteran Problem

In this New York Times essay, Elliot Ackerman examines his instinct to defend the image of American veterans after the Capitol riot and the release of Cherry. Drawing on his...

Illustration combining a U.S. Army combat helmet with scenes from the January 6, 2021, Capitol riot, showing rioters climbing the Capitol's west front above a crowd carrying American and Trump flags.

Why the Capitol Riot Reminded Me of War

In this New York Times opinion essay, Elliot Ackerman draws on his experiences in Iraq and Afghanistan to explain why footage of the January 6 Capitol attack felt hauntingly familiar....

Workers board up the exterior of a downtown office building with plywood while a masked pedestrian walks past, illustrating preparations for potential civil unrest ahead of the 2020 U.S. presidential election.

American Exceptionalism and Unrest

Writing for TIME, Elliot Ackerman draws on his experience advising Afghan commandos and reporting from Syria to argue that American exceptionalism can blind us to the warning signs of democratic...

Illustrated collage representing America's political-industrial complex, featuring a red MAGA hat, Democratic and Republican party symbols

Can We Escape the Political-Industrial Complex?

In this New York Times opinion essay, Elliot Ackerman argues that America has become trapped in a self-perpetuating political-industrial complex that rewards division over solutions. Drawing on President Dwight D....

German Bundeswehr soldiers in dress uniform participate in a nighttime military ceremony, holding their helmets before their faces as ceremonial torches burn behind them.

Confront Our Past, Not Bury It

Drawing lessons from Germany's confrontation with far-right extremism in the Bundeswehr, Elliot Ackerman argues that America's military should study its full history, including its darkest chapters, rather than erase them....

Confederate grave markers in the Confederate section of Arlington National Cemetery, including a headstone labeled "Unknown Confederate Soldier,"

The Confederate Monuments We Shouldn't

Elliot Ackerman argues that while Confederate statues in public spaces may be removed, military cemeteries and historic battlefields should remain places of remembrance. Reflecting on Arlington National Cemetery, Gettysburg, and...

Police officers and tactical law enforcement personnel kneel together during a peaceful demonstration following the killing of George Floyd, symbolizing solidarity with protesters and calls for police reform and community trust.

The Police Will Be Part of the Solution, Too

Following the killing of George Floyd, Elliot Ackerman draws on military history, Vietnam, My Lai, and his own combat experience to argue that meaningful police reform depends not only on...

A large black-and-white portrait of a U.S. Army veteran is projected onto the exterior of a suburban home at night, while two family members stand illuminated in a bay window below.

There Are No Flag-Draped Coffins

As COVID-19 spread through veterans' homes across America, Elliot Ackerman reflects on military service, the nation's covenant with veterans, and the responsibility to care for those who once "loaned" their...

A healthcare worker wearing a face shield, surgical mask, gloves, and improvised protective gown stands inside a hospital during the COVID-19 pandemic.

COVID-19 Is Not a War

Writing for TIME, Elliot Ackerman examines the ethical differences between military service and frontline medical care during the COVID-19 pandemic, arguing that healthcare workers should not be viewed simply as...

American flag flying at half-staff on a residential flagpole beneath a clear blue sky, symbolizing national mourning, remembrance, sacrifice, and collective grief during the COVID-19 pandemic.

After Our Nation Grieves, It Can Grow

Drawing on his experiences in Iraq and Afghanistan, Elliot Ackerman explores the parallels between war and the COVID-19 pandemic, arguing that while national trauma inevitably brings grief, it can also...

President Donald Trump stands at a White House podium during a COVID-19 press briefing, viewed from above in black and white, symbolizing presidential leadership, crisis communication, and the national response to the coronavirus pandemic.

There Is an Antidote to Our Fear

Drawing on his experiences as a Marine officer during the Battle of Falluja, Elliot Ackerman argues that true wartime leadership demands honesty, courage, and faith in those being led. Writing...

U.S. Marines sit closely together inside a dimly lit military vehicle during a nighttime operation, checking equipment and preparing for deployment.

A New Language of War

Elliot Ackerman argues that America must rethink how it discusses war, military service, and national security. Writing during the 2020 presidential campaign, he explores congressional war powers, the burdens of...

U.S. Marines carrying packs and equipment walk toward a U.S. Air Force C-130 Hercules transport aircraft on a runway in Afghanistan during military operations, with the desert landscape stretching into the distance.

Imagining Peace in Afghanistan

Writing for TIME, Elliot Ackerman reflects on his service in Iraq and Afghanistan, arguing that peace in Afghanistan depends not only on negotiations, but on the willingness of all sides...

Crowds gather in Tehran to mourn Iranian General Qassem Soleimani, with mourners holding portraits of Soleimani and banners honoring him during a public funeral procession following his death.

War With Iran Will Continue

Writing for TIME, Elliot Ackerman argues that the death of Qassem Soleimani did not begin a new conflict with Iran, but marked another chapter in a decades-long shadow war fought...

U.S. Marines and an Army flight medic provide emergency medical care to a wounded Afghan civilian on a stretcher during combat operations in Afghanistan, highlighting the human cost of America's longest war.

Who Bears the Blame for Afghanistan?

Writing for TIME, Elliot Ackerman reflects on the release of the Afghanistan Papers, arguing that the greatest failure of America's longest war was not simply government deception, but the public's...

Navy SEAL Chief Edward Gallagher stands in dress white uniform alongside his wife after legal proceedings, wearing his military decorations and Trident insignia.

Trump's Military Pardons

Writing for TIME, Elliot Ackerman examines President Trump's pardons of Clint Lorance, Mathew Golsteyn, and Edward Gallagher, arguing that discipline, not impunity, gives soldiers the confidence to fight within the...

U.S. service member sleeps on a field cot beneath a camouflage blanket inside a fortified combat outpost in Afghanistan.

Bring Back the Draft

Writing for TIME, Elliot Ackerman proposes a modern, reverse-engineered draft that would reconnect Americans to the costs of war, strengthen civic responsibility, and make it politically harder to wage endless...

Three alternate TIME magazine covers for the October 21/28, 2019 double issue, America’s Forever War, featuring young U.S. Marine recruits.

A Generation Born Into Forever War

Writing for TIME, Elliot Ackerman visits Marine Corps Recruit Depot Parris Island to meet recruits born after 9/11, examining what it means to volunteer for a war older than the...

A tracked military tank is loaded onto a heavy transport trailer during a nighttime operation as soldiers supervise the movement.

Trump Betrays an Ally at the Border

In this opinion essay for The New York Times, Elliot Ackerman examines President Donald Trump’s decision to withdraw U.S. forces from northern Syria and the consequences for Kurdish allies. Drawing...

A U.S. Army advisor shakes hands with an Afghan military officer as other soldiers look on at a base in Afghanistan.

What We Owe Afghanistan

In this essay for The Washington Post, Elliot Ackerman argues that both America and Afghanistan carry unmet obligations to each other as peace talks with the Taliban falter.

Historic black-and-white photograph of the main entrance to the Auschwitz concentration camp in Nazi-occupied Poland during winter.

The Volunteer Who Entered Auschwitz

Elliot Ackerman speaks with author Jack Fairweather about the extraordinary true story of Witold Pilecki, the Polish resistance fighter who deliberately entered Auschwitz to organize resistance, document Nazi atrocities, and...

M1A1 Abrams tanks secured to railroad flatcars ahead of President Donald Trump's 2019 "Salute to America" Fourth of July celebration in Washington, D.C.

The Fight Over Trump's July 4 Parade

Elliot Ackerman examines the debate surrounding President Trump's 2019 Fourth of July "Salute to America," arguing that America's strength lies not in unanimity, but in its long tradition of spirited...

U.S. Marines move through smoke and burning debris during intense urban combat in the Second Battle of Fallujah, Iraq, as an M1 Abrams tank advances behind them at dawn amid the chaos of Operation Phantom Fury.

A Battle in Falluja, Revisited

In this New York Times opinion essay, Elliot Ackerman revisits the Second Battle of Fallujah through the lens of his Silver Star citation and deeply personal recollections. Juxtaposing official military...

Book cover of 'American Cipher: Bowe Bergdahl and the U.S. Tragedy in Afghanistan' by Matt Farwell and Michael Ames, showing a soldier walking alone through a dusty haze.

Delusions of a Soldier, and an Army

In this review for The Washington Post, Elliot Ackerman assesses "American Cipher: Bowe Bergdahl and the U.S. Tragedy in Afghanistan," by Matt Farwell and Michael Ames.

U.S. Army Special Forces officer Maj. Mathew Golsteyn, wearing Army combat uniform and military decorations, speaks with another soldier during a ceremony.

Even a War Hero Is Not Above the Law

In this New York Times opinion essay, Elliot Ackerman argues that battlefield valor cannot excuse violations of the laws of armed conflict. Drawing on his own service in Iraq and...

A lone soldier carrying a rifle stands silhouetted against a vast, hazy Afghan desert landscape at dusk.

NATO's Flaws Won't Yield to Bullying

In this essay for The Washington Post, Elliot Ackerman argues that NATO's real flaws, drawn from his own combat experience, won't be solved by Trump's public shaming of allies.

Rows of white headstones stretch across Arlington National Cemetery at dusk, symbolizing the sacrifice, remembrance, and enduring bonds among America's fallen service members.

Arlington’s Sacred Ground

In this New York Times opinion essay, Elliot Ackerman explores what truly makes Arlington National Cemetery sacred. Through memories of friends lost in Iraq and Afghanistan, he argues that Arlington's...

Silhouettes of two U.S. soldiers on patrol at sunset, with one service member standing in the foreground holding a rifle while another moves through the distance across an open landscape.

What Our Generation Learned in War

In this Memorial Day essay, Elliot Ackerman argues that the greatest lessons of Iraq and Afghanistan are not tactical but societal. He examines the widening civil-military divide, the costs of...

Portrait of acclaimed American author and Vietnam War veteran Tim O'Brien wearing a dark baseball cap, set against the yellow field and three red stripes of the former South Vietnamese flag.

Tim O'Brien on Ken Burns' Vietnam War

Elliot Ackerman speaks with acclaimed author Tim O'Brien about Ken Burns' documentary The Vietnam War, exploring the history of the conflict, the nature of memory, writing about combat, and why...

Illustrated opening spread of Elliot Ackerman's 2017 Esquire essay "Screen Shot," featuring the bold red title alongside artwork of a male and female U.S. Marine in dress blue uniforms.

Screen Shot

Following the Marines United scandal, Elliot Ackerman explores how online abuse, leadership failures, and institutional culture combined to produce one of the most significant ethical crises in the modern U.S....

Black-and-white portrait of acclaimed American novelist Denis Johnson against a vivid red background.

How Denis Johnson Chased the Epic Novel

Elliot Ackerman remembers Denis Johnson through two of his greatest works, Tree of Smoke and Train Dreams, examining how Johnson pursued the epic American novel through vastly different styles while...

Elliot Ackerman stands atop the shattered ruins of the former Fallujah mayor's complex during his return to Iraq, surrounded by collapsed concrete and twisted rebar from the Second Battle of Fallujah.

Goodbye, My Brother

In this original Esquire essay, Elliot Ackerman returns to Iraq twelve years after the Second Battle of Fallujah to confront the places, memories, and losses that never left him. Blending...

Stylized illustration featuring a red background with the white crescent and star of the Turkish flag overlaid by several unfinished tic-tac-toe boards.

Dark at the Crossing Excerpt

Read an exclusive excerpt from Dark at the Crossing, Elliot Ackerman's award-winning novel set along the Turkish-Syrian border. Through Haris and Daphne, this scene captures the human cost of war,...

Turkish honor guards carry the flag-draped coffin of Russian Ambassador Andrey Karlov during a formal state funeral ceremony.

Russia Through Turks' Eyes

Following the assassination of Russian Ambassador Andrey Karlov in Ankara, Elliot Ackerman explores the intersection of terrorism, Turkish-Russian relations, the Syrian civil war, and the dangers of geopolitical escalation in...

Turkish filmmaker Tolga Karaçelik on the red carpet at the 2015 Sundance Film Festival in Park City, Utah, during the promotion of Karaçelik's award-winning film Sarmaşık (Ivy).

A Turkish Film About Fear and Power

Elliot Ackerman reflects on the award-winning Turkish film Ivy (Sarmaşık), drawing parallels between its portrayal of fear and authoritarian leadership and the political climates of Turkey and the United States.

Memorial honoring victims of the November 2015 Paris terrorist attacks, with candles, flowers, handwritten signs, and graffiti-covered walls.

What Real War With ISIS Would Mean

In the aftermath of the 2015 Paris terrorist attacks, Elliot Ackerman reflects on the costs of war, the challenge posed by ISIS's territorial ambitions, and what a true military campaign...

Grieving family members gather around a coffin draped with a green, yellow, and red cloth during a funeral procession following the 2015 Ankara bombing in Turkey.

Am I Safe in Turkey?

Following the 2015 Ankara bombing, Elliot Ackerman examines how terrorism, war, and everyday violence shape our understanding of security. Blending personal experience as a Marine veteran and father living in...

Large crowd of demonstrators marching through the streets of Ankara during a public protest, with participants carrying flags and banners and many raising peace signs.

Safety Is Relative

After the deadliest terrorist attack in modern Turkish history, Elliot Ackerman examines how societies perceive risk, why violence shapes our sense of security, and the illusion of absolute safety in...

The U.S. Consulate General building in Istanbul, a fortress-like structure with an American flag, overlooking the city.

Erdoğan's ISIS Opportunism

In this essay for The New Yorker, Elliot Ackerman examines how Erdoğan's A.K.P. has used the war against ISIS to try to marginalize Turkey's Kurds.

David Petraeus stands before a bank of press microphones outside a Charlotte courthouse.

Justice, In and Out of Uniform

In this essay for The New Yorker, Elliot Ackerman examines why David Petraeus, Jeffrey Sterling, and the Blackwater contractors received such different sentences.

Illustration for Elliot Ackerman's essay Draft the Rich.

Draft the Rich

Drawing on personal experience and the long wars in Iraq and Afghanistan, Elliot Ackerman proposes a provocative idea: a limited draft of America's wealthiest citizens to reconnect the nation with...

Silhouette of an armed Afghan fighter standing atop a rocky ridgeline at dusk beneath a bright moon, holding an RPG launcher against a deep blue twilight sky.

How the Longest War Ate Its Children

In this The Daily Beast feature, novelist Atticus Lish introduces an excerpt from Elliot Ackerman’s debut novel, Green on Blue, a work of literary fiction that portrays the war in...

The Kurdish flag flies before the Citadel of Erbil, with men on horseback in traditional dress.

The U.S. Friendship with the Kurds

In this essay for The New Yorker, Elliot Ackerman visits Erbil and reflects on the complicated friendship between the U.S. and the Kurds against ISIS.

Pop art-style four-panel collage of Osama bin Laden in red, yellow, green, and purple color palettes, evoking Andy Warhol-inspired artwork.

I Shot Bin Laden

In this work of fiction for The Daily Beast, Elliot Ackerman imagines the perspective of the Navy SEAL who kills Osama bin Laden and then struggles with the strange, bodily,...

West Point cadets in full dress gray uniforms sit in formation during a United States Military Academy ceremony.

No Man's Land Review

In this essay for The New Republic, Elliot Ackerman reviews Elizabeth Samet’s No Man’s Land and expands the book’s argument into a broader reflection on military education, leadership, and creativity....

Elliot Ackerman and Douglas Zembiec in Marine dress blues aboard the USS Constitution, 2003.

Pictures from My War

In this essay for The New Yorker, Elliot Ackerman reflects on two photographs that bookend his experience of the Iraq War.

A man rides on the back of a motorcycle waving a black ISIS flag through a street in northern Syria as bystanders watch.

Watching ISIS Come to Power Again

Drawing on firsthand experience at the Turkish-Syrian border, Elliot Ackerman recounts witnessing the early rise of ISIS through the stories of refugees and survivors. The essay explores extremism, intervention, and...

Abu Bakr al-Baghdadi, leader of the Islamic State (ISIS), appears in a propaganda video seated outdoors wearing traditional clothing and a head covering, speaking to the camera with an ISIS flag partially visible beside him.

ISIS Strategy Years in the Making

Published in The New Republic during the Islamic State's rapid advance across Iraq in 2014, Elliot Ackerman argues that ISIS was pursuing a deliberate insurgent strategy rooted in principles outlined...

Afghan National Army soldiers stand near a checkpoint fence at dusk.

Waiting Out the Afghan War

In this essay for The New Yorker, Elliot Ackerman reflects on the Afghan war's lack of a defined strategy after the death of Major General Harold Greene.

Abandoned amusement park swing ride in a war-damaged Syrian city, with empty chain-hung seats, faded paint, and graffiti-covered walls, symbolizing the impact of conflict on civilian life and childhood spaces.

Syria's War Poets

In Gaziantep, Turkey, Elliot Ackerman meets two Syrian refugee poets whose lives and work have been shaped by revolution, exile, and civil war. Through poetry, activism, and personal sacrifice, they...

Illustrated promotional graphic for The Daily Beast's Beast Fiction series featuring a U.S. one-dollar bill split into three vertical sections against a bright yellow background.

Four Hundred Grand

In this short story, Elliot Ackerman examines the emotional aftermath of war through the unraveling marriage of a young Marine and his wife after the death of a fellow soldier....

A teenage boy wearing an orange T-shirt, jeans, and a gray baseball cap sits alone on a skateboard in an empty suburban parking lot, viewed from behind.

Apathetic Teenagers and the Apocalypse

Elliot Ackerman reviews Maxwell Neely-Cohen's debut novel Echo of the Boom, exploring how privilege, technology, and youthful apathy converge in a dystopian vision of the modern apocalypse.

Official U.S. Army portrait of Bowe Bergdahl in camouflage uniform and maroon airborne beret, standing before an American flag prior to his disappearance and capture in Afghanistan.

Bowe Bergdahl Haunted Us All

Published in The New Republic following the release of Bowe Bergdahl in 2014, Elliot Ackerman examines the controversy through the perspective of those who served in Afghanistan. Drawing on his...

A crowd at Istanbul's pride march holds up a large rainbow flag and protest signs.

A Black Flag and a Rainbow Flag

In this essay for The New Yorker, Elliot Ackerman attends Istanbul's trans-pride march amid the rise of ISIS and the aftermath of Gezi Park.

Two U.S. Marines rush to aid a wounded Marine lying on the rain-soaked streets of Fallujah during the Second Battle of Fallujah in Iraq.

Bravery on the Streets of Fallujah

Published in The New Republic for Memorial Day, Elliot Ackerman recalls the Second Battle of Fallujah through the extraordinary actions of Gunnery Sgt. Ryan Shane, who risked his life to...

Close-up portrait of American journalist and former Marine Austin Tice wearing a dark jacket and patterned scarf while seated indoors.

War Nostalgia and the Road Back

Through the story of missing journalist and Marine veteran Austin Tice, Elliot Ackerman explores why some veterans are drawn back to conflict zones, examining war nostalgia, identity, memory, and the...

MSgt Aaron Torian stands smiling at night wearing a tactical field vest and a patterned scarf while holding a red beverage can.

A Man to Believe In

Following the death of Marine Master Sergeant Aaron Torian in Afghanistan, Elliot Ackerman delivered this deeply personal eulogy at Arlington National Cemetery, reflecting on friendship, leadership, service, family, and the...

Portrait of acclaimed American novelist Joyce Carol Oates wearing round glasses, pearl earrings, and a turquoise blouse, speaking during an interview against a softly blurred blue background.

Can Joyce Carol Oates Write a War Novel?

Elliot Ackerman reviews Joyce Carol Oates's novel Carthage, exploring what defines a true war novel, why authenticity matters, and how authority, rather than military experience alone, shapes enduring literature about...

Armed Syrian opposition fighters gather inside a storefront in northern Syria, seated together with AK-pattern rifles while drinking tea and smoking cigarettes.

The Fourth War: My Lunch with a Jihadi

In this deeply personal essay, Elliot Ackerman meets a former al-Qaeda operative he once fought against in Iraq. Over tea and lunch in a Syrian refugee camp on the Turkish...

U.S. Marines stack outside a damaged building during urban combat in Fallujah, Iraq, preparing to move through the doorway while scanning for threats.

Was Fallujah Worth It?

After ISIS swept through parts of Anbar Province, Elliot Ackerman revisits one of the defining days of the Battle of Fallujah. Through the memory of a rooftop firefight and the...

Demi Moore as Navy SEAL candidate Jordan O’Neil during amphibious training in the 1997 film G.I. Jane.

The Case for Female SEALs

In this Atlantic essay, Elliot Ackerman examines military gender integration and argues that elite special operations units may provide the strongest foundation for women seeking combat leadership roles. Drawing on...

Aerial view of a snow-covered European town at dusk, with rows of terraced houses, winding streets, and warm streetlights glowing against the cold blue landscape.

Greg Baxter's The Apartment Review

Elliot Ackerman reviews Greg Baxter's The Apartment, praising its restrained storytelling and nuanced depiction of a veteran navigating memory, identity, and life in an unnamed European city. Rather than relying...