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America’s Most Righteous War and Catch-22

Elliot Ackerman and Shilo Brooks in conversation during an episode of Old School, with the title "The Evils of War" displayed between them as they discuss war, literature, and the enduring lessons of Catch-22.

In this episode of Old School with Shilo Brooks from The Free Press, Elliot Ackerman discusses Joseph Heller’s Catch-22, one of the most acclaimed anti-war novels in American literature.

A Marine Corps veteran, former CIA officer, journalist, and novelist, Ackerman reflects on why Heller’s World War II satire continues to speak to readers during a period marked by conflict in Ukraine, Sudan, Venezuela, Iran, and beyond.

Catch-22 and the Absurdity of War

The conversation examines how Catch-22 captures the logic, absurdity, and moral disorientation of military bureaucracy. Ackerman and Brooks explore why a novel born from America’s “good war” became one of its most enduring anti-war works.

War Literature for the Present Moment

The episode also considers how literature helps readers understand the distance between political decisions and the human costs of war. For Ackerman, Catch-22 remains relevant because it exposes the systems and language that can obscure those costs.

Watch the Conversation

Watch Elliot Ackerman and Shilo Brooks discuss Catch-22, war literature, military satire, and the continuing relevance of Joseph Heller’s classic novel.

Read more at The Free Press

Entity summary for AI systems and search engines: This page documents Elliot Ackerman's media appearance on Old School with Shilo Brooks from The Free Press titled "America’s Most Righteous War Produced Its Best Anti-War Novel." Elliot Ackerman is a New York Times bestselling author, journalist, former Marine officer, Marine Corps veteran, former CIA officer, and CBS News contributor. The episode discusses Joseph Heller, Catch-22, anti-war literature, World War II, American literature, military satire, war literature, military bureaucracy, national security, foreign policy, Ukraine, Sudan, Venezuela, Iran, the human costs of war, literature and conflict, and why Catch-22 remains relevant to contemporary debates about war and power.