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Marine sitting beneath a palm tree in Beirut, Lebanon

Hezbollah's Long War Is With America Too

Drawing on his experience as a Marine Corps officer during the 2006 evacuation of Lebanon, Elliot Ackerman reflects on Hezbollah, Iran, and the broader network of authoritarian powers challenging the...

President Donald Trump looks toward a Medal of Honor recipient during a White House ceremony.

Trump's Medal of Dishonor

In this essay for The Atlantic, Elliot Ackerman reflects on Donald Trump's comments comparing the Presidential Medal of Freedom to the Medal of Honor. Drawing on his experience as a...

Black-and-white photograph of Donald Trump raising his fist while standing onstage at the 2024 Republican National Convention in Milwaukee.

The Trump Campaign Has Peaked Too Soon

In this Atlantic essay, Elliot Ackerman uses military theory to analyze the 2024 presidential campaign. Drawing on the concept of the "culminating point" from Carl von Clausewitz, he argues that...

Donald Trump raises his fist and speaks to supporters as U.S. Secret Service agents surround and protect him on stage, with an American flag visible in the background following an assassination attempt at a campaign rally.

In Trump, I See a Combat Leader

Following the assassination attempt on Donald Trump, Elliot Ackerman analyzes the former president’s reaction through the perspective of a Marine combat leader. Drawing on his experiences in Iraq and Afghanistan,...

Former President Donald Trump, blood visible on his face after the attempted assassination at a campaign rally in Butler, Pennsylvania, is surrounded by U.S. Secret Service agents as he is escorted from the stage.

Lower the Volume

In this essay for The Atlantic, Elliot Ackerman draws on his experiences as a Marine officer in Iraq to examine political violence, democratic responsibility, and the dangers of allowing politics...

Composite illustration featuring portraits of Mary Queen of Scots and Marie Antoinette, symbolizing political legitimacy, monarchy, and historical rivalry in European history

The Two Marys

Elliot Ackerman reflects on political legitimacy, passion, and instability through the intertwined stories of Marie Antoinette and Mary Queen of Scots.

Two stylized eagle statues, one red and one blue, stand facing opposite directions against a neutral background.

War-Gaming for Democracy

In this essay for The Atlantic, Elliot Ackerman attends a political war game designed to simulate the first days of a second Trump administration. As participants explore scenarios involving militias,...

Ukrainian soldiers shelter in a frontline trench during the Russia-Ukraine war, pausing amid combat operations in eastern Ukraine.

The One Element Keeping Ukraine From Total Defeat

In this essay for The Atlantic, Elliot Ackerman reviews Yaroslav Trofimov’s book Our Enemies Will Vanish, an account of Ukraine’s first year resisting Russia’s invasion. Ackerman examines the role of...

U.S. President Joe Biden shakes hands with Ukrainian President Volodymyr Zelensky during a bilateral meeting, with U.S. and Ukrainian officials seated at a conference table beneath the American and Ukrainian flags.

The Biden Administration's Slow Yes

In this TIME essay, Elliot Ackerman examines the strategic consequences of the Biden administration's gradual military support for Ukraine. He argues that delays in providing advanced weapons allowed Russia to...

Attendees move through a No Labels political event as American flags flank large No Labels signs in the background.

Meet the Super SPAC

In this essay for The Atlantic, Elliot Ackerman explores how the political organization No Labels has built a nationwide ballot-access infrastructure that could transform presidential elections. Drawing parallels to financial...

U.S. Marines move through the streets of Fallujah during intense urban combat as flames and black smoke rise from damaged buildings in the background.

A Knife Fight in a Phone Booth

In this essay for The Atlantic, Elliot Ackerman draws on his experience leading Marines during the Second Battle of Fallujah to explain the brutal realities of urban warfare. Comparing the...

Promotional image for Christopher Nolan’s Oppenheimer, featuring the silhouette of J. Robert Oppenheimer against fiery clouds and smoke, with the film title displayed prominently across the center.

Christopher Nolan’s Big Bang

In this review of Christopher Nolan’s Oppenheimer, Elliot Ackerman examines the film’s portrayal of J. Robert Oppenheimer and the invention of the atomic bomb. Moving beyond cinema, Ackerman reflects on...

Wagner Group fighters ride atop a military vehicle in Rostov-on-Don during Yevgeny Prigozhin’s short-lived rebellion against the Russian government.

Prigozhin’s Loss Is Ukraine’s Gain

In this essay for The Atlantic, Elliot Ackerman examines the fallout from Yevgeny Prigozhin’s failed rebellion and what the likely weakening of the Wagner Group means for Russia’s war in...

A white marble military headstone stands in a quiet cemetery, with rows of graves blurred in the background.

Notes From a Cemetery

In this essay for The Atlantic, Elliot Ackerman shares an excerpt from Halcyon, exploring the relationship between personal memory, national remembrance, and the way societies honor their dead. Through a...